
“I feel like I learned everything I could have possibly learned. I have no questions that are unresolved. I learnt more in this class than in a year of teaching myself.”
Malik Sterling
Hot cues, loops and the other live features that let a set stay spontaneous.
Yes - running Rekordbox with CDJs and Pioneer DJ controllers, and why that setup is worth having.
18 hours. Tuition is $999 when you book 14 or more days ahead, or $1,199 after that, plus a $200 registration fee.
No. It is intermediate level, for DJs with existing experience who want to specialise in Rekordbox. If you are starting out, take the Electronic Music DJ Class instead - it covers Rekordbox along the way.
Yes - ask admissions about Rekordbox private instruction and we will pair you with a specialist.
Yes - in person in New York, and live online at most Garnish locations.
18 hours - $999 (14+ days out) / $1,199 otherwise, + $200 registration
Devious Soul interviews DJ/Producer Bodyjack (formerly Chris Finke) UK DJ & producer Chris Finke joined us for a little bit of a Q&A to find out a bit more about his latest moniker ‘Bodyjack’. A former UK DMC finalist and resident at techno institution Atomic Jam, Chris has been around the dance mus
Read →Written On Record Store Day by Devious Soul There was a time when the happiest days of many a DJs life was getting home with a fresh stack of unopened wax. Carefully selecting the tunes in the record shop, ensuring you had enough cash for the double pack, wondering what treasures were lurking under
Read →DJ Tips for Beginners – by Devious Soul Back in the day, when dinosaurs roaming the land, all DJs needed to land a set were serious skills, a bunch of great records and a decent demo tape to wow promoters into booking them. How times have changed, thanks in no small part to the internet and the chan
Read →Sampling Frequencies & Bit Rates: 96 v 44.1Khz & 24 v 16bit by Stephen Powell I had a conversation recently with a guy who described himself as a “glitch-dubstep-lo-fi composer” He went on to describe a couple of his tracks which turned out to be pretty much what you might expect from such a descrip
Read →When I very first started in the early-nineties, we all used Atari STs with a whole 512k of Ram for sequencing MIDI and not much else. All the audio was dealt with using 24 track 2" tape, with up to 3 slaved together synchronised using lynx synchronisers. Back then for sampling, we had the classic A
Read →In January Garnish Music Production School learners Pete Waidson (Mixing course) and Michael 'The Fox' Gleeson (Ableton course) had their first release on Toolroom Records entitled 'Interferon' which had huge support from label boss Mark Knight, as well as regular plays from Stefano Noferini, A
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