
The loudness wars, and a simple two-step technique that keeps a mix from getting crushed flat.
Read →Dance Music Production - Creative vs. Technical by Steve Powell What does it take to make a record in terms of equipment? A four track? A Mac Pro? An SSL4000E? What people use and how they use is of course crucial to the quality and type of dance music production that’s made. The equipment heavily d
Read →A Logic user's take on learning Ableton Live - why it gets results faster, and how the two work together when rewired.
Read →Rebel Sonix's Larry Holcombe on the basics of dubstep production - where the wobble bass comes from, and how to build one in Massive or the ES2.
Read →Devious Soul interviews DJ/Producer Bodyjack (formerly Chris Finke) UK DJ & producer Chris Finke joined us for a little bit of a Q&A to find out a bit more about his latest moniker ‘Bodyjack’. A former UK DMC finalist and resident at techno institution Atomic Jam, Chris has been around the dance mus
Read →Samsung asked us if we'd like to borrow one of their prototype 360-degree cameras. We said yes and it didn't take us long to decide what to do with it! It's sphere-shaped device with a front and back lens.
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