
“Private time with my instructor meant we could slow right down on the mixing techniques I was stuck on and skip past everything I already knew - nothing generic, nothing I'd already covered elsewhere.”
James Okafor
Yes - ask admissions about mixing and mastering private instruction and we will pair you with a specialist.
36 hours. Tuition is $1,799 when you book 14 or more days ahead, or $2,099 after that, plus a $200 registration fee.
Yes. Every session runs from our Manhattan and Brooklyn studios and live online at the same time, so you join whichever suits you.
The techniques apply across genres, and there is a dedicated module on mixing electronic music - side-chaining, creative reverb and delay, and making thin sounds bigger.
A laptop with your DAW installed, and a working understanding of that DAW and of production basics - this is an intermediate-level course, not a first one.
$1,799 (14+ days out) / $2,099 otherwise, + $200 registration
We have discussed the most common modulation effects such as chorus, flanging and phasing. Now it is time to investigate other modulation effects.
Read →There are many ways to access the power of filtering, but probably the easiest is to use a plug-in. Logic’s AutoFilter is a good example of Emagic’s…
Read →Now we have an environment that isn’t coloring what we hear we can start to look at how we can improve the mix itself.
Read →How to place instruments across the stereo field, why the low end stays centred, and how to avoid phase cancellation and masking.
Read →Dynamic control is an essential part of recording vocals. The best dynamic control is achieved from someone who knows good mic technique, getting closer…
Read →Mid is what the two channels share, side is what they do not. Splitting a mix that way lets you treat the centre and the edges separately - and it is the most common professional move that never appears in a beginner's mix.
Read →