Audio Engineering School in NYC's #1 Sound Engineering School

London Music Production School

Los Angeles Music Production School

New York Music Production School

Nashville Music Production School

Miami Music Production School     

San Francisco Music Production School

0
  • No products in the cart.
0
  • No products in the cart.
mobile logo
 

Audio Engineering School

Audio Engineering School | New York

 

Our Audio Engineering School is for learners who want to master the recording side of Sound Engineering in their home studio setup, and get as close to master-quality results with what studio equipment they have available. The entire Audio Engineering School takes place in one of our partner commercial recording studios. Jam-packed with Audio Engineering tips and recording techniques shared with you by the very same engineers who work in the studio daily on big projects. The last three days are actual sound engineering sessions, with a view to get the master drums down with guides for everything else in session one, the next day, overdubs covering all of the other instruments plus instruments not in the band but in our course, followed by vocals and finishing up on your final day of recording.

Mixing Board

  • Mic Amps & EQ
  • Signal Path
  • Routing
  • Console Modes
  • Sends and Returns
  • Digital and Analogue –  getting the most out of the digital domain and why we sometimes use tape

How To Use Microphones

  • Different Mic Designs – what to use on what and why!
  • Using The Right Polar Patterns
  • Mic Placement
  • Stereo Miking
  • Phasing
  • Orchestral Techniques
  • Prepairing For Your Session
  • ‘Make a Mic’ Workshop

Audio Engineering Class

  • Setting Up Foldback Tips
  • Kit Positioning
  • Gates in the Record Process
  • EQing Drums to ‘Tape’
  • Which Mics to Compress to ‘Tape’ and Why
  • Producer Hat – What to Record First

Overdubs

  • Acoustic, Electric and Bass Guitar
  • Acoustic and Electric Piano
  • Synths – It’s not just about plugging them in and recording flat!
  • Percussion

Vocal Recording & Production

  • EQ and Dynamics to ‘Tape’
  • Tracking Tips
  • Background Vocal Shortcuts and Editing
  • Melodyne and Autotune
  • Vocal Arranging
  • Pre-Production Processing
  • Preparing for the Mix and what the Mix Engineer Expects
 

Our Instructors!

36 Hours | In-Person: $1199 + $100 Registration Fee

Use the ‘SCHEDULE’ button below to request more info on our classes and upcoming planned schedules. One of our placement experts will follow up with information and find a time for an assessment call to get you in to the most suitable program we have for you.

Check out the student feedback from our Songwriting & Production 360° Academy Program ↓

Stay Connected

We will not share your information


    Testimonials

    As a songwriter/producer I relied heavily on engineers for recording and mixing if I wanted to get my tracks sounding like masters. I always wanted to do more myself but struggled to learn anything watching an engineer zip around at 1000 mph! Then I found Garnish and did their course. It was exactly what I needed, we covered everything I was unsure of in the past from using buses properly, EQ, audio compression and using specialist mastering plugins. Everything was explained and demonstrated in a way I understood. I never thought I'd ever be able get such great sounding tracks doing everything myself.

    Ben Cullum

    The course was helpful to me to gain a better understanding of the specifics of how to make my mixes better. Explaining specific concepts about compression, reverb, delays, EQ, etc. that I never really had a good grasp of before.

    Cyndi Lee

    Even though I already know about mixing and mastering, being here gave me a different (in a good way) concept of the knowledge that I already have. Also I learned a lot of new things about mixing and mastering, that will definitely help in my career as a Music Producer.

    Carlos Arminio

    The instructors are terrific – They are very attentive to the needs of the students – as well as our individual backgrounds and goals – and that makes the learning more personalized. They are all professionals with diverse expertise and have the industry experience to teach not just the mechanics of the software – but the real-world applications and circumstances. I came to GMP in the hopes of finding teachers who were able to give me a strong exposure not just to the the software (which they did very well) – but also to all the various ways the software is intersecting the other music processes and issues (recording, musicians, writing, industry issues, marketing, etc.). For a detailed software class, GMP offers a very “holistic” experience in which to learn and engage!

    Alan Guno

    At last I have a clear perspective of how mixing and mastering works!

    Andrez Alzate

    Sharing and learning from a legendary Producer/Engineer is priceless and incredible.

    Pablo Toscano

    From the Blog

    • 5 Mixing Mistakes to Avoid

      by Katie Gilchrest When it comes to mixing, establishing a balance is one of the most important parts of creating a professional sounding production. Some of the same miscalculations are made again and again, and fortunately there are ways to recognize, avoid and fix......

    • Ableton Live 10 | New Features – What’s New VIDEO

      Now Ableton has made the big announcement, we can finally give you a first look! As New York City is our newest location, Garnish New York Ableton Live instructor Michael Hatsis (aka Bangingclude) goes through some of the new features in the new Ableton Live 10!......

    • Ableton Live 10 Update Review

      By Heinrich Zwahlen Having used the beta now for while, I’m looking forward to the official Live 10 release on February 6th so my students can enjoy it too.  The update delivers a combination of powerful new devices for sound design, mixing and workflow......

    • Creative Uses for Melodyne

      Celemony’s Melodyne is a highly sophisticated pitch analysis and correction software suite known mainly for its use in tuning vocals. As effective as it is in this capacity, Melodyne’s capabilities allow for a range of other creative uses outside of simply correcting mistakes in......

    • Drum Miking Techniques

      Drum Miking Techniques: Recorder Man and Glyn Johns Katie Gilchrest’s take on drum miking techniques Many considered the drum set one of the hardest pieces of equipment to mic in a studio. A drum kit is not one instrument, but a collection of multiple......

    • How to EQ Vocals

      How to EQ Vocals Katie Gilchrest’s guidelines on how to EQ vocals. For most styles of music, vocals are one of the most important parts of the mix. Poorly EQd vocals can cause detriment and distraction to an otherwise great song. Equalization using a parametric......

    • How To Improve Bass In Music

      How To Improve Bass In Music Bass can be a very complicated part of your mix. Actually, we’d even go and say that the majority of home-producers or home-recorded work, don’t have a good low-end, which is really the basis (get it, bass-is?) for......

    • How to Record Vocals When Producing A Singer – Vocal Production

      How to Record Vocals When Producing A Singer – Vocal Production By Chris Porter Firstly, let’s explode the myth that vocals are anything other than another instrument, or colour (depending on how you like to view things!) that you use to build up a......

    • Microphone Polar Patterns for Beginners

      by Katie Gilchrest Understanding how microphones “hear” is the first step in learning how to mic instruments properly. The directionality of a microphone is commonly explained as a polar pattern, and microphone use in the studio, as well as live settings vary based on each......

    • Recording While Traveling

      A harmonious combination; new places, new people, new ideas and new sounds in different lands that present their own rhythms and culture can stir up something good in a natural and genuine way when recording while traveling. The perfect time to try new things,......