Our Audio Engineering School is for learners who want to master the recording side of Sound Engineering in their home studio setup, and get as close to master-quality results with what studio equipment they have available. The entire Audio Engineering School takes place in one of our partner commercial recording studios. Jam-packed with Audio Engineering tips and recording techniques shared with you by the very same engineers who work in the studio daily on big projects. The last three days are actual sound engineering sessions, with a view to get the master drums down with guides for everything else in session one, the next day, overdubs covering all of the other instruments plus instruments not in the band but in our course, followed by vocals and finishing up on your final day of recording.
36 Hours | In-Person: $1199 + $100 Registration Fee
Use the ‘CONNECT’ button below to request more info on our upcoming planned schedules. One of our placement experts will follow up with information and find a time for an assessment call to get you in to the most suitable program we have for you.
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by Katie Gilchrest When it comes to mixing, establishing a balance is one of the most important parts of creating a professional sounding production. Some of the same miscalculations are made again and again, and fortunately there are ways to recognize, avoid and fix......
Now Ableton has made the big announcement, we can finally give you a first look! As New York City is our newest location, Garnish New York Ableton Live instructor Michael Hatsis (aka Bangingclude) goes through some of the new features in the new Ableton Live 10!......
By Heinrich Zwahlen Having used the beta now for while, I’m looking forward to the official Live 10 release on February 6th so my students can enjoy it too. The update delivers a combination of powerful new devices for sound design, mixing and workflow......
Celemony’s Melodyne is a highly sophisticated pitch analysis and correction software suite known mainly for its use in tuning vocals. As effective as it is in this capacity, Melodyne’s capabilities allow for a range of other creative uses outside of simply correcting mistakes in......
Drum Miking Techniques: Recorder Man and Glyn Johns Katie Gilchrest’s take on drum miking techniques Many considered the drum set one of the hardest pieces of equipment to mic in a studio. A drum kit is not one instrument, but a collection of multiple......
How to EQ Vocals Katie Gilchrest’s guidelines on how to EQ vocals. For most styles of music, vocals are one of the most important parts of the mix. Poorly EQd vocals can cause detriment and distraction to an otherwise great song. Equalization using a parametric......
How To Improve Bass In Music Bass can be a very complicated part of your mix. Actually, we’d even go and say that the majority of home-producers or home-recorded work, don’t have a good low-end, which is really the basis (get it, bass-is?) for......
How to Record Vocals When Producing A Singer – Vocal Production By Chris Porter Firstly, let’s explode the myth that vocals are anything other than another instrument, or colour (depending on how you like to view things!) that you use to build up a......
by Katie Gilchrest Understanding how microphones “hear” is the first step in learning how to mic instruments properly. The directionality of a microphone is commonly explained as a polar pattern, and microphone use in the studio, as well as live settings vary based on each......
A harmonious combination; new places, new people, new ideas and new sounds in different lands that present their own rhythms and culture can stir up something good in a natural and genuine way when recording while traveling. The perfect time to try new things,......